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Campo DC | Valor | Lengua/Idioma |
---|---|---|
dc.contributor.author | Lopera Chaves, María Teresa | - |
dc.date.accessioned | 2024-11-22T17:14:43Z | - |
dc.date.available | 2024-11-22T17:14:43Z | - |
dc.date.issued | 2024 | - |
dc.identifier.citation | Lopera Chaves, M. T. (2024). Business and Artistic Legitimacy in Antioqueña Advertising 1920–1930. Journal of Marketing Development and Competitiveness, 18(3). https://doi.org/10.33423/jmdc.v18i3.7154 | spa |
dc.identifier.issn | 2155-2843 | - |
dc.identifier.uri | https://hdl.handle.net/10495/43697 | - |
dc.description.abstract | ABSTRACT: In the Colombian case, in the twenties of the 20th century, businessmen made their way into a coffee agriculture economy and mining, and for this reason, in addition to ensuring the sociopolitical and economic conditions that allowed their activities, they also had to work on their legitimation before society, and to do so they turned to already recognized painters and draftsmen to carry out the advertising of their companies, adding ideological content related to modernity and progress to their products, as the brands gained their visual distinctiveness. Thanks to this contribution, the artists also legitimized their profession as publicists and designers. | spa |
dc.format.extent | 9 páginas | spa |
dc.format.mimetype | application/pdf | spa |
dc.language.iso | eng | spa |
dc.publisher | North American Business Press | spa |
dc.type.hasversion | info:eu-repo/semantics/publishedVersion | spa |
dc.rights | info:eu-repo/semantics/openAccess | spa |
dc.rights.uri | http://creativecommons.org/licenses/by-nc-nd/2.5/co/ | * |
dc.title | Business and Artistic Legitimacy in Antioqueña Advertising 1920–1930 | spa |
dc.type | info:eu-repo/semantics/article | spa |
oaire.version | http://purl.org/coar/version/c_970fb48d4fbd8a85 | spa |
dc.rights.accessrights | http://purl.org/coar/access_right/c_abf2 | spa |
oaire.citationtitle | Journal of Marketing Development and Competitiveness | spa |
oaire.citationstartpage | 34 | spa |
oaire.citationendpage | 42 | spa |
oaire.citationvolume | 18 | spa |
oaire.citationissue | 3 | spa |
dc.rights.creativecommons | https://creativecommons.org/licenses/by-nc-nd/4.0/ | spa |
dc.publisher.place | Estados Unidos | spa |
dc.type.coar | http://purl.org/coar/resource_type/c_2df8fbb1 | spa |
dc.type.redcol | https://purl.org/redcol/resource_type/ART | spa |
dc.type.local | Artículo de investigación | spa |
dc.subject.decs | Progreso | - |
dc.subject.decs | Progress | - |
dc.subject.lemb | Modernidad | - |
dc.subject.lemb | Modernity | - |
dc.subject.lemb | Chaves Cuervo, Humberto 1891-1971 | - |
dc.subject.lemb | Pintores (Antioquia, Colombia) | - |
dc.subject.lemb | Publicidad | - |
dc.subject.lemb | Advertising | - |
dc.subject.lemb | Siglo XX | - |
dc.subject.lemb | Twentieth century | - |
oaire.awardtitle | Proyecto Humberto Chaves Cuervo – Pintor | spa |
Aparece en las colecciones: | Humberto Chaves Cuervo - Pintor |
Ficheros en este ítem:
Fichero | Descripción | Tamaño | Formato | |
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3+ChavesFinal.pdf | Artículo de investigación | 950 kB | Adobe PDF | Visualizar/Abrir |
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