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dc.contributor.authorGardner Salazar, Laura-
dc.contributor.authorSierra Restrepo, Zayda-
dc.date.accessioned2017-11-23T15:26:03Z-
dc.date.available2017-11-23T15:26:03Z-
dc.date.issued2014-
dc.identifier.citationGardner Salaza, L., & Sierra Restrepo, Z. (2014). The transformational qualities of dramatic arts. Europe's Journal Of Psychology, 10(2), 221–234. DOI:10.5964/ejop.v10i2.787spa
dc.identifier.issn1841-0413-
dc.identifier.urihttp://hdl.handle.net/10495/8769-
dc.description.abstractABSTARCT: During the International Drama and Education Association (IDEA) Congress in Kenya in 1998, the life of two educators crossed roads. Although both are from different geographical contexts (Colombia and the United States), they have shared the same passion: to encourage in their societies the implementation of dramatic arts in different educational settings (schools, universities, communities) so children and adults could develop to their fullest, thus enabling them to participate actively in building a more democratic society. Fifteen years after this encounter, they met again in the 2013 IDEA Congress in Paris to reflect on their efforts during their life spans. Through examining their drama practices, they discuss how this human expression functions as a critical thinking art form, changing players, audiences, and communities. Lessons derived from their experiences might be useful for a new generation of transformational drama leaders.spa
dc.format.extent13spa
dc.format.mimetypeapplication/pdfspa
dc.language.isoengspa
dc.publisherPsychOpen's Guidelines on Publication Ethics.spa
dc.type.hasversioninfo:eu-repo/semantics/publishedVersionspa
dc.rightsAtribución 2.5 Colombia (CC BY 2.5 CO)*
dc.rightsinfo:eu-repo/semantics/openAccessspa
dc.rights.urihttps://creativecommons.org/licenses/by/2.5/co/*
dc.titleThe transformational qualities of dramatic artsspa
dc.typeinfo:eu-repo/semantics/articlespa
dc.publisher.groupDIVERSER (Pedagogía y Diversidad Cultural)spa
dc.publisher.groupEDI-Educación y Diversidad e Inclusiónspa
oaire.versionhttp://purl.org/coar/version/c_970fb48d4fbd8a85spa
dc.rights.accessrightshttp://purl.org/coar/access_right/c_abf2spa
oaire.citationtitleEurope's Journal Of Psychologyspa
oaire.citationstartpage221spa
oaire.citationendpage234spa
oaire.citationvolume10spa
oaire.citationissue2spa
dc.rights.creativecommonshttps://creativecommons.org/licenses/by/4.0/spa
dc.type.coarhttp://purl.org/coar/resource_type/c_2df8fbb1spa
dc.type.redcolhttps://purl.org/redcol/resource_type/ARTspa
dc.type.localArtículo de investigaciónspa
dc.subject.unescoDramatic arts-
dc.subject.unescoArte dramático-
dc.subject.unescoCritical thinking-
dc.subject.unescoPensamiento crítico-
dc.subject.unescoTheatre-
dc.subject.unescoTeatro-
dc.subject.lembPerforming arts-
dc.subject.lembArtes escénicas-
dc.subject.unescourihttp://vocabularies.unesco.org/thesaurus/concept356-
dc.subject.unescourihttp://vocabularies.unesco.org/thesaurus/concept17110-
dc.subject.unescourihttp://vocabularies.unesco.org/thesaurus/concept356-
dc.description.researchgroupidCOL0009108spa
dc.description.researchgroupidCOL0157666spa
dc.relation.ispartofjournalabbrevEur J Psycholspa
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