Una voz, muchas voces : narraciones de sí en tres autoras contemporáneas

Abstract

RESUMEN: Este trabajo de grado hace un acercamiento a tres narraciones de sí: La vida sin maquillaje(2020) de Maryse Condé, La frontera/Boderlands(2021) de Gloria Anzaldúa y Una habitación propia(2008) de Virginia Woolf, las cuales buscan en la literatura un espacio de encuentro, reconocimiento y confrontación, es por ello que a partir de tres diferentes exploraciones con cada obra, nacen otras como resultado de un intercambio de voces y experiencias, que desmienten a su paso la idea de una identidad femenina única, y de la escritura autobiográfica como género predilecto en la “escritura femenina”. .

ABSTRACT: This undergraduate work approaches three self-narratives: Maryse Condé’s Life Without Makeup(2020), Gloria Anzaldua’s La frontera/Boderlands(2021) and Virginia Woolf’s own room(2008), which seek in literature a space for encounter, recognition and confrontation, that is why from three different explorations with each work, others are born as a result of an exchange of voices and experiences, which belie in their path the idea of a female identity, as well as autobiographical. Writing as a favorite genre in “female writing”. Taking into account that this work is part of the research-creation methodology, the objective is to give continuity to these works by adding new voices to their narrations/experiences, transcending the reading of the works and their analysis and turning them into works that share characteristics and create new experiences. Literature as that own room that transcends any physical space and becomes a political one, of struggle and joint resistance.